While stripping the controls down to a bare minimum may rob the more advanced user of some flexibility, the idea is that the sense of instant gratification you get as soon as you switch them into the signal path should more than make up for this. There's no clue as to what original hardware components are emulated in any of the plug‑ins or processing modes, but then that doesn't really matter: this suite of plug‑ins should be judged on its results. The result is that with just a handful of knobs and buttons, you can arrive at a highly produced guitar, bass, voice or drum sound very quickly. Tony Maserati has his own favourite signal‑processing chains for specific applications, and what Waves have done is recreate those chains in software, bringing out only those controls that Tony would normally adjust during a session and leaving the rest hidden. Maserati has worked with artists as diverse as Black Eyed Peas, Beyonce, Alicia Keys, Macy Gray, Sting and David Bowie, and in March 2007's Inside Track feature ( /sos/mar07/articles/maserati.htm), he talked to SOS about his work on John Legend's 'Save Room'. Waves have clearly taken steps in that direction with the Maserati suite of plug‑ins, developed in conjunction with award‑winning mixer Tony Maserati.
Waves maserati vx1 free download software#
I have, on occasion, suggested that music technology software might be made easier to use if it was approached from the musician's point of view rather than the engineer's. Most of us can't afford to have Tony Maserati mix our tracks - but thanks to Waves, we can now use his personal effects and processing chains in our own mixes.
0 kommentar(er)
